The weblog of Vlad Spears: musician, science fiction hero, Max/MSP/Jitter gangsta, Daevl incarnate. Currently engaged in fast action on slow sculpture, I have an ongoing love affair with animism as an approach to creativity and an affinity for all things automata, gridded or digital.

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020050418 00:41 •

BlueYellow streamers on cover of Monolake's Invisible Force single.

Monolake returns with a stomper: the double A sided single Invisible Force.

Invisible leads us out of the thumping, machined darkness of Monolake’s last full-length, Momentum, and into steamy, tribal tech amidst glistening noir cities.  Repetitive and insistent, but never static.  You’re heading for the station to hop the trans-ether express and can’t help bobbing your head along the way.

Force sounds like phenotypical expression of an evolved genotype from Excentric or Reminiscence off Momentum.  A lightly swung kick and hidden bounce in the snare, the sparsely atmospheric space around body-pop drum programming… but the comparison ends with the rhythmic structures.  Chopped and re-arranged female utterances guide you through the beat, a subway driver bleeding through from the future.  You can’t help but move, and when you reach your destination, you want to ride the trans-ether loop again.

Invisible Force is the first advance single from upcoming Monolake album Polygon Cities, due in June.  Robert Henke’s changed up his solo artist situation and worked with a new partner for this album, T++.  Invisible Force is still very much Monolake, but fresh from tomorrow.  I can’t wait for the entire new plate to drop.

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